BLACK SQUARE
Void (Le Vide)
Yves Klein/1958
Klein emptied a Parisian gallery entirely, painted the walls white, and invited guests to an opening of nothing. Blue cocktails were served. The empty room was the artwork. Visitors reported feeling a tangible presence.
The immaterial as medium. Klein sold zones of immaterial pictorial sensitivity for gold, then burned the receipts. The void was not nothing — it was everything before form.